“Site-Specific but Never Mind That: Matisse’s Lasker and Brody Commissions,” conference in conjunction with the exhibition Henri Matisse: The Cut-Outs, The Museum of Modern Art, New York, November 2014. “Did Henri Matisse Really Understand Chinese Art?” invited conference paper for the 12th annual Beijing Forum, inaugural session on Art History, “The Diversity of Art History,” Beijing, China, November 2015. “Design in Art History Teaching and Research,” in panel on modern design in conjunction with invited lecture by Kristina Wilson, Program in American Culture Studies, Washington University, February 2016. “Triumph and Disaster of Collaboration: Henri Matisse and the Gobelins, 1946-49,” in conference “L’invention partagée/Shared Invention,” Aubusson, France, April 2016. “Ranking Decoration,” in session “The Rank of Art,” 34th International Congress of the History of Art, Beijing, China, September 2016. “Ultimate Method or Ultimate Materials?” in “Looking at Matisse Now: A Symposium,” The Barnes Foundation, Philadelphia, October 2016. Respondent in session “Conflict as Cultural Catalyst in Britain,” sponsored by Historians of British Art, College Art Association Annual Meeting, New York, February 2017. “Sacred Shoebox: Matisse’s Vence Chapel,” the 2018 Marie-Eugénie Milleret Lecture, Assumption College, Worcester, MA, March 2018. “Shchukin as Incubator: Decoration and Patronage,” in “Sergei Shchukin: Biography of a Collection,” Pushkin Museum of Fine Arts, Moscow, Russia, September 2019. URL: Selected recent conference papers, lectures and other presentations Also published in German.īook review: of John Gage, Color in Art, in CAA.Reviews, January 18, 2012. Heinz Widauer and Claudine Grammont (Vienna: Albertina Museum, 2013), pp. “The Inner Circles of Fauve Portraiture,” in Henri Matisse and the Fauves, ed. Ulrich Grossman and Petra Krutisch (Nuremberg: Germanisches Nationalmuseum, 2013), pp. “Object or Design? Aesthetic Mobility in Matisse’s Paper Cut-Outs,” in The Challenge of the Object / Die Herausforderung des Objekts, Conference Proceedings of the 33rd International Congress of the History of Art (Nuremberg 2012), ed. URL: įoreword in brochure for exhibition The Modern Meal: Sustenance Through Ritual, Arthur Greenberg Undergraduate Curatorial Fellowship, Mildred Lane Kemper Art Museum, Washington University, 2017 Claudine Grammont (Paris: Éditions Robert Laffont, 2018).īook review: of Yve-Alain Bois, ed., Matisse in the Collection of the Barnes Foundation, in CAA.Reviews, May 18, 2017. “Décoration” (on Matisse and decoration), invited article for Tout Matisse, ed. LaoZhu (Beijing: Peking University and Central Academy of Fine Arts, forthcoming). “Ranking Decoration,” in Conference Proceedings of the 34th International Congress of the History of Art (Beijing 2016), ed. Laurence Riviale and Jean-François Luneau (Clermont-Ferrand, France: Presses universitaires Blaise-Pascal, forthcoming 2018). “Triumph and Disaster of Collaboration: Henri Matisse and the Gobelins, 1946-49,” in L'Invention partagée / Shared Invention, ed. Louis, 2018-19, in Panorama: Journal of the Association of Historians of American Art 5.1 (Spring 2019). URL: Įxhibition review: of Ruth Asawa: Life’s Work, held at Pulitzer Arts Foundation, St. “Matisse and Slow Looking,” for Human Ties blog, Center for the Humanities, Washington University, December 2, 2019. Review by Karl Buchberg in The Burlington Magazine 162 (May 2020), 464-65. Interview: Modern Art Notes podcast, November 8, 2018. Matisse and Decoration (New Haven and London: Yale University Press, 2018). The Century of Picasso Recent Publications.Who Is That? How Do We Know? Critical Studies in Portraiture, Ancient to Contemporary.More Than Eye Candy: The Decorative Aesthetic in Modernism, 1860-1960.The Art Museum: History, Theory, Design (co-taught with Eric Mumford, Fox School) Seminars. Rethinking Reason: Dada and Surrealism in Europe and the U.S.The Modernist Project: Art in Europe and the U.S., 1905-1980.Modern Sculpture, Canova to Koons, Quinn and Kapoor.Introduction to Modern Art, Architecture and Design.
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